№ 2 (50) June, 2015

Theory of architecture

Vlasov V.G.

THE CONCEPTS OF HARMONY, BEAUTY AND ARCHITECTONIC FORM IN IMPLICIT AESTHETICS

Babich V.N. Kremlev A.G.

GEOMETRIC MODELLING OF ARCHITECTURAL FORMS AND URBAN PLANNING STRUCTURES

Korotich A.V.

NEW ARCHITECTURAL FORMS OF RULED QUASIPOLYHEDRONS

Titarenko Ni.V.

ANALYSIS OF METHODOLOGICAL APPROACHES TO THE EVALUATION OF ECONOMIC FEASIBILITY OF URBAN PLANNING DECISIONS

Lesnevska R.V.

TOWARDS THE CONCEPT OF ARCHITECTURE AND URBAN ENVIRONMENT AS PERFORMING ARTS

Gaikova L.V.

POLYCENTRICITY AS THE PARADIGM OF DEVELOPMENT OF RUSSIAN CITIES

Petunina T.Yu. Shipitsyna O. A.

INTRODUCTION TO ARCHITECTURAL MORPHOLOGY OF OPEN CITY SPACES

Solonina N.S. Shipitsyna O. A.

THE HISTORIO-ARCHITECTURAL POTENTIAL OF THE MIDDLE URALS INDUSTRIAL HERITAGE

Beloyarskaya I.K.

HISTORICAL AND RESTORATION STUDIES OF THE WINTER CHURCH OF THE EPIPHANY IN THE GEORGIEVSKY DIOCESE, VOLOGDA

Steklova I.A.

EMPIRE AS A STYLE OF STATE POWER MYTHOLOGY

History of architecture

Konysheva E.V.

EUROPEAN ARCHITECTS IN SOVIET ARCHITECTURAL DESIGN ORGANIZATIONS IN THE 1930s: EVOLUTION OF THEIR PLACE, ROLE AND RELATIONSHIPS. Part II. Problems and Contradictions

Bazilevich M.E.

CIVIL ENGINEERS/ARCHITECTS OF VLADIVOSTOK (AT THE TURN OF THE 19th CENTURY)

Gashenko A.E.

FORMATION OF ‘MICRODISTRICTS’ IN NOVOSIBIRSK IN 1950–2010s

Khitsenko E.V.

DESIGN OF HOUSING OF A NEW TYPE, SOCIALIST TOWN, IN WESTERN SIBERIA DURING THE FIRST FIVE-YEAR PERIOD

Zabaluyeva T.R.

THE EMERGENCE OF MEDITERRANEAN INSULAR ARCHITECTURE IN RETROSPECT. Part IV. MATURE AND LATE NEOLITHIC IN MALTA. Conclusion

Design

Bolshakova S.V.

PECULIARITIES OF DESIGNING VICTORY-RELATED PATRIOTIC POSTER: TRADITIONS AND MODERNITY

Bogdanova V.Z. Sashnikova I.V. Slyunyaeva K.S.

THE FORMULA OF STYLE BY ANNETTE GÖRTZ

Klubnikina S.A.

THE GRAPHICS OF MARCEL VERTES: ART AND FASHION

Arts and crafts

Usanova A.L.

ARTISTIC FEATURES OF FURNISHINGS IN THE SOVIET URBAN DWELLING INTERIOR OF 1930-1950s

Vasko D.S.

THE CONCEPT OF «KERCH STYLE» AS A TERMINOLOGICAL ISSUE IN VASE PAINTING STUDIES