Authors

Plesovskikh Denis L, Rayevsky Andrey A.
Mechanisms of author’s concept formation in the context of the sustainability of the architectural paradigm

Architecton: Proceedings of Higher Education №2 (90) June, 2025

The authors review changes in the perception of style and creative method at the turn of the 21st century, emphasizing the transition from dominant stylistic orientation to diversity and pluralism of creative strategies. They explore the mechanisms of origin and development of author’s concepts, distinguishing three levels of creativity characterized by specific features and influence on public perception of artistic ideas: reproductive, productive, and innovative. The classification of architectural creative domains includes areas of design experimentation, theoretical analysis, and creative intuition. Demonstrating the multifaceted nature of the mechanisms behind the emergence of artistic concepts and diverse paths of their implementation in architecture, the authors highlight three fundamental scenarios of architectural concept formation within the latest architectural paradigm: experimental generative model, cyclic analytical model, and scenario of intuitive creative awareness. The conclusion underscores the stability of the architectural paradigm based on the generation of artistic concepts across all levels of creativity and their application in innovative design, theoretical modeling, and practical implementation of architectural concepts.

Rayevsky Andrey A.
STRUCTURAL ALGORITHMS FOR THE FORMATION OF SPATIAL ENVIRONMENTS IN THE CONTEXT OF GLOBALISATION PROCESSES

Architecton: Proceedings of Higher Education №4 (64) December, 2018

The article highlights systemic points of contact between modern space and its basic user, which is currently characterized by fluidity, mobility and inconstancy. Principles of interaction between environmental factors are defined and emphasis is made on the basic criteria of spatial development. An analysis of requirements for modern space reveals a generalizing and differentiating environmental approach which results in a certain structural sameness in a spontaneously evolving system. The condition of development for the process of creativity and architectural design adaptation (environmental metaphorization) is now the declarative mainstreaming of essential incompleteness of the process of differentiation of architectural art form, which is based on what is currently happening in the modern mobile space: infinite generation of formal signs of conformity, adaptation techniques, integration, methods of combination in the course of the ephemeral process of generation of stylistic conformity to the unstable processes of spatial changes. The process of infinite differentiation ultimately generates the possibility of emergence of «universal» ways to conduct an architectural and design dialogue with space by means of structural adaptation techniques which are based on “configuration metric meanings”.

Serebrennikova Tatyana A., Rayevsky Andrey A.
SYSTEMIC ALGORITHMS OF ARCHITECTURAL CREATIVITY: THE EVOLUTIONARY PHENOMENON OF THE INFORMATION SPACE IN ARCHITECTURE

Architecton: Proceedings of Higher Education №4 (52) December, 2015

The informatization of society and emergence of a new information culture have told on all spheres of life, including architectural design. The article considers the evolution of the information space in architecture, the role and influence of information on architectural design in different periods and, as a consequence, on the worldview.

Rayevsky Andrey A.
СОВРЕМЕННАЯ АРХИТЕКТУРА: ЭФФЕКТ ТЕКСТУАЛЬНОГО КЛОНИРОВАНИЯ

Architecton: Proceedings of Higher Education №1 (17) March, 2007

Основное свойство нового миромоделирования заключается в его замкнутости рациональной формой познания. Архитектура развивается путем текстуальной интерпретации художественных категорий по пути соответствия рациональной действительности. На любом этапе временного развития находится ряд текстуальных соответствий данному периоду. В статье показан потенциал феномена архитектурного стиля на современном этапе, как эффект текстуальных соответствий, в которых заключены все смыслы предыдущих эпох.